However, depending on the DAW, you have to make some compromises here and there. Working with the Presonus Faderport 8 is a lot of fun, intuitive and purposeful. Also, the touch sensitivity can be adapted to your own needs. For example, the speed of the faders can be set on a scale from 1-7. Presonus receives extra praise for the ability to adjust the FaderPort 8. It doesn't work in Ableton and Sonar either, but it does in Logic and Studio One. Pressing the All button only opens the Channel Settings window. The fact that the вЂњMix ManagementвЂќ functions, with the help of which you can adjust the mixer view of all channels on virtual instruments, buses, or VCAs, does not work under Cubase is extremely unfortunate. Compared to the competition, the motorized faders are very quiet. The optics and the clarity of the controls, thanks to the backlit soft buttons, are also very good. With it, you can physically control a large number of parameters in the DAW. The Presonus Faderport 8 is a very good DAW controller. If you need options for a specific DAW, refer to our top picks for: With this in mind, let's take a closer look at the best control surfaces you can buy right now. As long as it helps you вЂњcontrolвЂќ the DAW, we consider it to be a вЂњcontrol surfaceвЂќ. It includes everything from MIDI controllers and mixers to dedicated DAW controllers. Keep in mind that the definition of a вЂњcontrol surfaceвЂќ itself is hazy. Fine changes and automations, always hard to do with the mouse, feel tighter and more intuitive when you do it with a control surface. Most importantly, a control surface brings back, well, control to your production. Panning feels more natural when you have a rotary knob to do it.

It adds a layer of intuitiveness to your production that a keyboard or mouse or even a MIDI controller can't offer.

And at that point, you should invest in a control surface.ДЄ control surface essentially brings your DAW out of your computer screen and onto your desk.

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